Jules-Felix Coutan designed “Glory of Commerce” for Grand Central Terminal in 1911. A neat contemporaneous account of the construction of this statuary, which was carved in Long Island City I would add (by the firm of William Bradley Son, 547 Vernon Avenu
The of Hermes Trismegistus, also called the Smaragdine Table, offers the paraphrased occult wisdom of “As Above, So Below.”
Jules-Felix Coutan designed “Glory of Commerce” for Grand Central Terminal in 1911. A neat contemporaneous account of the construction of this statuary, which was carved in Long Island City I would add (by the firm of William Bradley Son, 547 Vernon Avenu
Jules-Felix Coutan designed “Glory of Commerce” for Grand Central Terminal in 1911. A neat contemporaneous account of the construction of this statuary, which was carved in Long Island City I would add (by the firm of William Bradley Son, 547 Vernon Avenu
The of Hermes Trismegistus, also called the Smaragdine Table, offers the paraphrased occult wisdom of “As Above, So Below.”
One is never truly alone in New York City, given that it is one of the most densely inhabited and developed sections of the entire planet, but one often experiences a deep and abiding loneliness here. This is paradoxical, as any New Yorker- when queried a